The Weeknd in France 2026: Paris and Nice, tickets and presale

The Weeknd in France 2026 - Paris and Nice

Credits: Jeremy Thompson / Wikimedia Commons — CC BY 2.0.

Announced in early September 2025, the After Hours Til Dawn 2026 extension brings The Weeknd back to France: Stade de France (Paris) on July 10, 2026, Allianz Riviera (Nice) on July 21, 2026, with Playboi Carti as the opening act. Behind the mask, Abel Tesfaye continues his transformation, between streaming records and the end of the trilogy with Hurry Up Tomorrow. Here is the portrait of an artist in the present, on the cusp of a new era.

Paris And Nice 2026: Two Dates In France And Ticket Sales Under Pressure

The Weeknd’s return to France now has dates: July 10, 2026 at Stade de France (Paris) and July 21, 2026 at Allianz Riviera (Nice). These stops open a new leg of the After Hours Til Dawn tour, launched in 2022 and set to continue through summer 2026. Live Nation presale weeknd: Thursday, September 11, 2025 at 12 p.m. General ticket sale: Friday, September 12, 2025 at 12 p.m. The previous shows in 2023 sold out in minutes; the expected turnout and stadium sizes point to a tidal wave at the box office.

For the European and U.K. leg, Playboi Carti will handle the opening slot: a logical choice, given how much the artistic rapport has grown in recent years. We heard him alongside Abel Tesfaye on Timeless (album Hurry Up Tomorrow) and Rather Lie (Carti album, Music – Sorry 4 Da Wait, 2025). The pairing promises to heat things up before the Canadian takes the stage.

After Hours Til Dawn 2026 Tour: Records And The Scale Of R&B

Launched in 2022, After Hours Til Dawn has become, through its runs in North America, Europe, the United Kingdom, South America, and Australia, the largest tour ever mounted by an R&B artist. The stage production—modular set design, giant screens, ghost-town storytelling—has set a standard: a visual narrative built for major stadiums, shaped by the aesthetics of After Hours and Dawn FM. The new 2026 stretch adds another layer: Mexico, Brazil (with Anitta as a guest), then a massive return to the Old Continent, with Paris and Nice leading the French dates.

Beyond the numbers, the tour has cemented an image: The Weeknd as the architect of nocturnal R&B turned global pop. Synth blocks, tempo shifts, and falsetto-driven bridges form an instantly recognizable grammar.

Abel Tesfaye, The Controlled Transformation Of An Alias

Born Abel Makkonen Tesfaye (Toronto, 1990), the artist turned The Weeknd into a public mask, now embraced as a cycle nearing its end. Since 2023, he has increasingly placed his civil name front and center. His sixth album, Hurry Up Tomorrow (January 31, 2025), was announced as the end of a trilogy (After HoursDawn FMHurry Up Tomorrow) and a farewell to this “vampiric” alter ego. In the end, he expresses his desire to release music under Abel Tesfaye. He has already taken that step on his social media accounts. In addition, some interviews confirm it.Finally, he expresses his desire to release music under Abel Tesfaye. He has already taken that step on his social media accounts. In addition, some interviews confirm it.

The shift is aesthetic as much as narrative: brighter light, dance-pop pulses inherited from Dawn FM, and a lingering taste for new wave and dream pop textures that run through his discography.

A Trilogy Designed As An Arc, Extended By A Film

Hurry Up Tomorrow didn’t stop at an album: a same-titled concept film, starring Jenna Ortega and Barry Keoghan, explores the downfall of a star, a fictional mirror of Tesfaye’s favorite themes: the vertigo of fame, addiction, double lives. The project deliberately blurs the line between character and author, extending what The Idol (2023) had already sketched: telling the industry from the inside, even at the risk of controversy and critical backlash.

On record, Hurry Up Tomorrow stacks high-profile collaborations and reinforces a broad sound made for stadiums. Timeless has become one of the key live tracks, while other, darker songs reconnect with the tension of After Hours.

On Stage: “Big Show” In Service Of The Songs

The Weeknd’s concerts are as much narrative as spectacle: urban tableaux, an artificial moon, lasers, crowds of smartphones forming a constellation. The voice, a clear tenor supported by his head voice, moves through the arena with ease. And the tour has sharpened that ease. In the opening slot, Playboi Carti brings a rougher energy, building a bridge between trap and synth-pop. Possible duets (Carti × Tesfaye) are enough to fuel speculation for summer 2026.

Streaming, Records, And Pop Impact

The Blinding Lights phenomenon has crossed the unprecedented mark of 5 billion streams on Spotify: a reign that sums up the artist’s impact on the 2020s. Since 2023, The Weeknd has remained one of the world’s top artists on streaming platforms, peaking at more than 110 million monthly listeners depending on the period. Proof of his pop centrality—one he carries without abandoning his R&B roots.

Looking back, the milestones explain this power: the House of Balloons/Thursday/Echoes of Silence** trilogy (2011) laid down a visceral, hazy alternative R&B; *Beauty Behind the Madness (2015) put him at the top of the charts; Starboy (2016) refined the electro-pop side with Daft Punk; After Hours (2020) sealed the meeting of nocturnal melancholy and mainstream dominance.

Commitments And The Economy Of A Global Artist

Abel Tesfaye has not only invested the charts: he has built a brand (the XO label, co-founded in 2011), multiplied partnerships (fashion, video games), and structured a visible philanthropic arm. A goodwill ambassador for the World Food Programme (UN) since 2021, he launched the XO Humanitarian Fund: every ticket sold for After Hours Til Dawn generates a donation. In 2024, part of the proceeds funded emergency food distributions in the Middle East.

The strategy reveals a constant: making touring a cultural, economic, and solidarity-driven lever. The giant stages become as much megaphones for his causes as showcases for his music.

Stadiums In France 2026: What Paris And Nice Say

Opening the European summer of 2026 in Paris, then heading to Nice, means reconnecting with two venues where he has already tested his show (summer 2023). The capital offers the solemnity of Stade de France; the French Riviera, the paradoxical intimacy of a stadium facing the sea. This double stop tells the story of an artist at home anywhere, capable of drawing 80,000 people in Paris or turning Nice into a panoramic dance floor.

For French fans, the stakes are twofold: to see again a production with no equivalent in contemporary R&B, and perhaps to catch the last concerts of the ‘The Weeknd’ era before an open shift under the name Abel Tesfaye.

Biographical Notes And Listening Guide

Legal name: Abel Makkonen Tesfaye (1990). – Background: Ethiopian parents, raised in Toronto. – Label: XO (co-founded in 2011), Republic Records distribution. – Key works: House of Balloons (2011), Beauty Behind the Madness (2015), Starboy (2016), After Hours (2020), Dawn FM (2022), Hurry Up Tomorrow (2025). – Awards: 4 Grammy Awards, 20 Billboard Music Awards, 22 Juno Awards, 6 American Music Awards

To watch/listen to before the concerts: • Live at SoFi Stadium (2023), a recording that captures the current stage language. • The Dawn FM Experience (2022), a televised variation on the album. • Hurry Up Tomorrow (film, 2025), the album’s mirror piece.

Practical Info: Tickets, Presale, And Where To Follow

– Official site: theweeknd.com/tour – Instagram: @theweeknd

Tickets: be sure to sign up for presale and general sale alerts; prepare your accounts and payment methods in advance, as virtual queues are often overloaded at launch (12 p.m.).

Heading Into Summer 2026

As The Weeknd embraces the end of one cycle and prepares for what comes next under his real name, the stadiums in Paris and Nice are shaping up as pivotal stages. Between streaming records, a world tour, and an identity shift, Abel Tesfaye is making music in the present tense: that of an artist closing one story on a grand scale in order to write the next.

This article was written by Émilie Schwartz.