Sirens on Netflix: Three Women, One Island, One Power to Reclaim

Julianne Moore, sovereign of moral turmoil in Sirens. Here, her stately demeanor and understated attire echo Michaela Kell, a character as elegant as she is ruthless. The actress lends her inner complexity to a figure of power whose philanthropic facade conceals a strategy of subtle domination.

Unveiled on May 22, 2025, on Netflix, Sirens quickly became one of the most-watched content on the platform. Created by Molly Smith Metzler, an American author known for her feminist commitment and sharp writing (Maid), the mini-series adapts her play Elemeno Pea. The story unfolds over five intense episodes on a private island owned by a New York billionaire couple.

In this claustrophobic luxury setting, social tensions are woven with clinical precision. Moreover, gender conflicts and family pains also intertwine in this environment. Sirens questions control, the fragility of social statuses, and women’s survival strategies in a world dominated by appearances.

A Feminine Plot Driven by a Magnetic Trio

In Sirens, Meghann Fahy portrays Devon with a subtle gravity. With a steady gaze and a fragile yet grounded presence, she conveys the ambivalence of a character oscillating between family loyalty and emotional drift. This almost meditative stance evokes the painful inaction in the face of destructive opulence.
In Sirens, Meghann Fahy portrays Devon with a subtle gravity. With a steady gaze and a fragile yet grounded presence, she conveys the ambivalence of a character oscillating between family loyalty and emotional drift. This almost meditative stance evokes the painful inaction in the face of destructive opulence.

The narrative thread relies on three female characters. Julianne Moore plays Michaela Kell, a formidable philanthropist heading a bird sanctuary. Married to a cold and strategic businessman, she imposes her authority through methods as gentle as they are perverse.

Meghann Fahy portrays Devon DeWitt, a thirty-something wounded by her father’s illness and sentimental disillusionments. She joins her sister on the island hoping to distance her from this illusory world.

Simone, played by Milly Alcock, a young maid rising from poor neighborhoods, discovers the deceptive sweetness of high society. She is initially enchanted, then gradually becomes aware of her own strengths.

In-Depth Portraits of the Main Actors

Milly Alcock captures the light of a heroine in the making here. A young woman on the rise, Simone embodies the temptation to surrender to power while challenging it. This luminous profile masks intimate darkness, revealing a contemporary Shakespearean figure.
Milly Alcock captures the light of a heroine in the making here. A young woman on the rise, Simone embodies the temptation to surrender to power while challenging it. This luminous profile masks intimate darkness, revealing a contemporary Shakespearean figure.

Julianne Moore, born in 1960 in North Carolina, is one of the major figures of American independent cinema. Winner of the Oscar for Best Actress for Still Alice in 2015, she has excelled in complex roles (Magnolia, Far from Heaven, Safe). In Sirens, she creates a troubled character, inspired by the great matriarchal figures of classical tragedy. Michaela fascinates with her duality: strategic yet wounded, tyrannical yet sincere in her humanistic aspirations.

Meghann Fahy, born in 1990 in Massachusetts, became known with the series The Bold Type before surprising audiences in season 2 of The White Lotus where she played a woman both ordinary and elusive. She gives Devon a vibrant vulnerability, which becomes the emotional thread of the series. Her performance, full of silences, conveys the ravages of emotional dependency and social melancholy.

Milly Alcock, revealed in 2022 in the role of young Rhaenyra Targaryen in House of the Dragon, is one of the most promising actresses of her generation. Born in Sydney in 2000, she explores in Sirens the dark areas of a brutal social ascent. Simone, both rebellious and impressionable, crystallizes the contradictions of modern femininity torn between submission and reinvention.

Kevin Bacon, a prolific actor since the 1980s, finds here a role of a predator hidden under affable appearances. Known for Footloose, Mystic River, or The Following, he plays Peter Kell, a chilling husband whose benevolence is just a mask. His presence is unsettling, his absence haunting.

A Fragmented and Bold Narrative

The mini-series opts for a non-linear narrative structure. Each episode, directed by a different filmmaker, adopts its own visual tone. This fragmentation reinforces the sense of identity disintegration among the protagonists.

The breaks in rhythm, abrupt ellipses, and unbalanced shot-reverse shots reflect the blurred areas of perception. The viewer is forced to adapt, to doubt, mirroring the heroines.

The final episode, with marked symbolism, sees Simone take power. She becomes the guardian of the island, while Devon returns to the fragility of reality. Michaela fades away, between intimate defeat and liberating relief.

A Nuanced Feminist Social Critique

Sirens is part of the lineage of great contemporary sagas on female power, alongside Big Little Lies or Succession. It directly addresses class relations, gender struggles, and moral ambiguities.

The female characters, far from being static, evolve in gray areas. Michaela, Devon, and Simone embody three possible trajectories in the face of the symbolic violence of patriarchy: consented domination, disillusioned escape, and bold usurpation.

The series also invokes the myth of the sirens, hybrid figures between attraction and devouring. Here, they no longer sing to lead men astray but to reclaim their voice.

A Season 2 to Deepen the Issues of Sirens?

Although conceived as a mini-series, Sirens deliberately leaves several threads open. The creator stated in an interview that she is "interested in a sequel if it allows exploring the excesses of female power." The main actresses are ready to reprise their roles.

A second season could focus on the consequences of Simone’s rise to power, as well as delve into Michaela’s transformations and Devon’s family reunions. The constantly evolving anthology format could adapt to a broader exploration of women/power relations.

A Social Fiction with Literary Breath

Sirens is more than a series. It is a contemporary allegory, a narrative laboratory where psychology confronts social structures. It addresses a demanding audience, eager for dense works, at the crossroads of thriller and social study.

The mini-series is available on Netflix. It is aimed at those who seek in fiction a critical reading of our world. A powerful and eloquent mirror narrative.