
Credits: Gabriel Hutchinson / Wikimedia Commons — CC BY-SA 4.0.
Nadia Tereszkiewicz was born on May 24, 1996 in Versailles. Yet she grew up in Cannes, where film and the arts are part of everyday life. Her Finnish mother designed a Pilates method, and her Polish father advises TV series producers. Her family environment awakens her artistic sensibility.
At age 4, she joined the Rosella Hightower dance school in Mougins. There, she shaped her body and her discipline at the barre and en pointe. This demanding training took her all the way to the National Ballet School of Canada. However, at 18, she realized her future was taking shape elsewhere.
First Steps In Theater And Her Breakthrough In French Cinema
Nadia Tereszkiewicz continued her studies at Lycée Molière in Paris. She enrolled in hypokhâgne and fed her love of literature. She then joined the conservatory in Paris’s 18th arrondissement, followed by the free class at Cours Florent. Her film career began with an extra role in The Dancer by Stéphanie Di Giusto.
She went on to land more substantial roles, notably in Wild Things by Dennis Berry. Yet it was Only The Animals by Dominik Moll that propelled her into the spotlight. The 2019 Tokyo International Film Festival awarded her the prize for Best Actress, already recognizing her potential for French cinema.
The Amandiers, The Birth Of A Major Performance
In 2022, Valeria Bruni Tedeschi gave her an essential role in The Amandiers. Nadia plays Stella, a stand-in for the director during the era of the theater led by Patrice Chéreau. This intense work won over critics. Nadia Tereszkiewicz was awarded the César Award for Most Promising Actress in 2023.
She admits to having immersed herself in her character, away from those close to her, to feel the role’s full authenticity. “Valeria taught me that you have to accept your vulnerability,” she says. This revelation changed her approach to acting.
An Eclectic Path, A Path To Success
After The Amandiers, Nadia Tereszkiewicz carefully chooses her projects. She appears in The Crime Is Mine by François Ozon, a courtroom comedy where women reinvent their destiny. She also stars in Red Island by Robin Campillo, which explores France’s colonial past in Madagascar.
In 2024, she shines in Rosalie by Stéphanie Di Giusto, in which she plays a woman with hirsutism in 19th-century France. Her performance combines determination and sensitivity. Nadia draws on her reading and her own life experience to bring this complex role to life.
Belladone, A Futuristic And Poetic Exploration
In March 2025, Alanté Kavaïté unveiled Belladone. Nadia Tereszkiewicz plays a nurse on a remote island. Seniors there escape an intrusive system and seek freedom. The character raises questions about the line between care and control. The filmmaker describes the actress as “a magnetic volcano.”
Nadia’s stage presence draws on her past as a dancer and on her literary references. Bergson, Proust, and Chekhov inform her thinking. They feed her desire for interiority and nuance.
Quiet Commitment In The Service Of Art
Nadia Tereszkiewicz is rarely active on social media. She prefers to talk about her work rather than her personal life. “You have to protect your privacy,” she notes. However, she does address sensitive topics such as her Lutheran faith or her fear of dementia.
Her friendships are few but strong. She surrounds herself with director Monia Chokri and Clara Bretheau, whom she met on the set of The Amandiers. Together, they cultivate a bold vision of the acting profession.
Nadia Tereszkiewicz, A Rising Star Of French Cinema
At 28, Nadia Tereszkiewicz embodies a new face of French cinema. She stands by demanding choices and a quest for authenticity. Each role becomes an intimate exploration and a dialogue with the audience.
Her dual French-Finnish heritage brings a singular sensitivity that appeals to demanding directors. Thanks to her unconventional background and artistic curiosity, she has made her mark in a changing industry. Nadia Tereszkiewicz is already among the essential actresses of her generation, driven by a thirst for truth and talent recognized by international critics.